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At the beginning of a new episode during a Law & Order marathon, mom screeches out find the murderer. So I propel out the back door into unfilmed darkness defined by predator-on-prey guilt.

I’m a kid with a TV head — not a nominated actor playing a tough but scared victim who gets their throat slashed within forested confinement. Along a wooded edge, a parliament of owls debate if the death penalty should be given permanent residence. 

I can’t remember — did mom command to find the murderer or find the parliament? 

They’re hooting out a live session, I inform my mind. My mind pushes me to breach deeper 

into lawful nature not on a soundstage with a camera rolling a wheel of entertainment. 

Through vegetation that needs hacking, I scamper for thirty seconds or the length of some screaming commercial. 

At last, I stumble upon a murder of crows cawing into a beating heart night. 

Then I remember! — mom commanded me to find the murderer! 

They’re interrogating an avian witness, I preach to my heart. My heart orders I venture deeper into unfilmed reality without a guild actor who imbues murderous rage. 

Under branches ready to stab my film roll eyes, I sprint for a minute or the time it takes a TV cop to chase down and handcuff a suspect on their way to a jailbird cage. 

In a clearing, I stop and spot a conspiracy of ravens croaking out a barrage of sound. 

They’re elevating their next conspiracy of winged proportion, I lecture to my liver. My liver is still busy filtering the bourbon I pinched from mom’s locked cabinet last night. 

At my feet, a deceased owl sprawls on a family of dead leaves. Oh, they got murdered in a parliamentary conspiracy. I salivate over this fresh plotline. 

Back home, mom watches the guilty verdict read aloud. Who got murdered this time, mom? She glances up — her satisfied face heavy with TV light.

Published in Bending Genres Journal (Issue 46)

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